#Spl transient designer free software#
#Spl transient designer free free#

However, even without it, Couture is a very useful tool that makes it easy to get control over your transients quickly.

#Spl transient designer free free#

In this free version of Couture, the built-in saturator does not work. Useful when you only want to shape your snare sound in a kick and snare loop, YouĬan also decide how much Couture should react to bass frequencies. Levels of the transients, while “Flat” processes all transients the same way. Targets harsh frequencies and “Human” is supposed to even out the perceived The front/back knob, which tells Couture where in the transient it should startīetween different detector modes is a useful feature, which allows you toĮither treat all transients the same way or depending on harmonic content. To have maximum control over your material, youĬan adjust the speed knob, which controls the decay level of your transients and This effect can beĭramatically heightened by using the x1 / x2 / x3 buttons, which affects how Releases, while turning it to the left does the opposite. Turning this to the right will sharpen (increase) attacks and deemphasize The main transient adjustment can be done with a big knob that’s labeled “Sharpen”. It solves a surprisingly huge range of mixing problems, with very low effort.” Here’s how the developer Auburn Sounds describes its level-independent transient designer Couture: “COUTURE’s goal is to get exquisite control over your dynamics, and particularly attacks. However, for general mixing purposes, this plugin is definitely worth a try. Whether that’s good or bad will depend on your taste and project. However, this also means that BitterSweet is a lot more subtle than other free transient shapers. Getting results with the bitter/sweet knob is easy and doesn’t really lead to extreme results, even if you turn it completely up or down.

To adjust the volume while playing with your transient levels.įlux BitterSweet is probably the most popular free transient designer out there, and there is a reason for that: It’s very hard to mess up with this one. This is super convenient because it means you don’t constantly have Output level, the overall volume will decrease when you’re increasing Stereo field? No problem – BitterSweet has a dedicated slider that lets youĬhoose which signal should be affected: main (everything), center (the middle)Ĭan be adjusted manually or linked to the main knob. You want to only affect the transients in the middle or on the sides of the

With the “period” slider, youĬan adjust how fast the transient declines again. Plugin detects transients (fast, medium, slow). Transient shaper work with any type of material, you can choose how fast the Transients and make your material more percussive. “sweet” will reduce transients in volume and will put your audio materialįurther into the background, while turning it towards “bitter” will increase You’d like your sound rather “sweet” or “bitter”.

A big knob in the middle lets you choose if With automation, the musical possibilities from subtly building up and dropping intensities using the Sustain control are particularly exciting.BitterSweet was created with simplicity in mind. The sheer variation of attack and sustain characteristics created here is still astonishing, and all from just two knobs.

#Spl transient designer free software#

The software version has lost none of the excitement that its hardware parent engendered. Oh, and what about a sidechain facility? That could be fun. You can get round it with a trim plug-in beforehand, but an Input control would make more sense.

A lookahead feature might have helped with this.Īlso, without an input level control, there's a danger of overloading the plug-in at the input if you're upping the attack on an already high-level signal. In our tests, we could hear the hi-hats spitting in the processed loop under software control, whereas with the hardware, the attack was completely smooth. The Attack response, particularly with high frequencies, doesn't seem as controlled as the hardware. There are one or two blots on its copybook, but nothing major. Turn it down and any hard, spiky parts sink softly into the mix. Turn the Attack up and the impact of any blunt performance is enhanced. If anything, the shape of the bottom end on pumped loops is more appealing with the plug-in than the hardware. Turn it up and you get that satisfying pumping with the accompanying bottom-end breathing. Pull the Sustain back and any reverb on the audio starts to fade away. A/B'ing it against the hardware version, it's clear that the essence of the original has been captured in the plug-in. Beside the main panel are four 'settings' buttons for storing and recalling different combinations with a click of the mouse.